There is a group of Systema practitioners that originate from the Ukraine that practice the form of Systema shown above. Personally, I believe that this stems from the mushroom & lsd experiments conducted by the GRU & KGB back in the 60's....
Looks Like Systema by Kevin SecoursIt's human nature to classify, to group, to see patterns. We see faces on the moon and dragons in clouds (a phenomenon known as parodelia). We look for the familiar in everything we do. Naturally, when a practitioner of one martial art, looks at another, they generally make an instant determination if it looks like what they're doing (presumably if it does, it must be good, lest they face the task of admitting what they are practicing is lesser or wrong), or else it looks like another art (it's difficult to honestly admit that something looks unlike anything we've seen before). So it is that so many say Systema looks like "drunken bagua" , "sloppy aikido" , "bogus energy work", or a host of other quick assessments, used to dismiss what is different, unique and new.
In truth, Systema should have as many looks as it has practitioners. In the words of Martin Wheeler, senior systema instructor and director of Systema training in the U.S., "if it looks like Systema, you're probably doing it wrongly". The essence of Systema is adaptability and spontaneity. Students are constantly presented with new and challenges which they are encouraged to resolve creatively and naturally. While we are all ultimately limited by the mechanics of our bodies, our capacities and instincts vary widely and so every response should naturally be quite different.
In Vladimir Vasiliev's Russian Systema Guidebook, he wrote:
"When I was first being trained in the SOU, all the trainees were lined up and the instructor would hit each one of us unexpectedly. Each person reacted differently. They performed different body movements to evade the same kind of strike. Each person was unique in his reaction...Bringing attention to this movement will help [the student] realizes what his natural reaction is. He may jump away, lean back, duck or cover up. Virtually any movement is acceptable. The important thing is to remember that each person reacts differently and that these different reactions are the key for devising a defense."
Vladimir goes on to explain that each reaction, natural or not, has it's place. The instinct to step back, while perfectly harmless in it's own right, may not be helpful if you are standing on a bridging or near stairs. Further importance of learning your natural instinctive response is to improve it, control it and use it when it best suits you.
Often, I see students who try to imitate the master, to move like Vlad or Mikhail or even their own teacher. This is natural, but counter-productive. True work comes from discovering your own potential. We all have different capacities. Ultimate success comes from learning to maximize our innate abilities. Most enter Systema, far more tense and rigid than they imagined. If they can endure the frustration of this realization, they begin the work of eroding their tension, sanding off the corners of their jerkiness, and becoming progressively smoother. Like a pendulum, most of us swing too far to the opposite extreme, becoming lost in the idea of looseness, wiggling excessively before a movement or after absorbing a hit. Here is the first obstacle of the novice and the major culprit for imprinting the notion that Systema has a look--a wiggly, somewhat strange look at that. But once the student studies harder and continues their practice, this work occurs internally. The softness become intrinsic without a need to show it. The student simply returns to their body's intended state and operates efficiently. This is where the true Systema of that practitioner emerges. In the end, there are as many "systema" as there are practitioners.
"Fighting skill should evolve into an unconquerable weapon that can't be seen until used nor taken away while its practitioner is alive."
--Russian System Guidebook--